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"Up" in a word review

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            There are a few words that I use sparingly, mainly because I don’t want to cheapen their impact, but also because there is rarely a situation befitting their use. They sit in the back of my mind in a little cabinet, safe secure and ready at a moment’s notice. When asked to describe my feelings about “Up”, I go to that cabinet and extract one of those words. That word is poignant.

            “Up” is the story of Carl Fredricksen, a 78-year-old man who sets out to fulfill a promise to his childhood sweetheart and wife, Ellie. The house they live in is the one they had met and played in as children, flying it on imaginary adventures to South America to look for their hero, the great explorer Charles Muntz. They purchased the house when they married, and planned to move it to a place next to the picturesque falls of the South American plateau where Muntz had disappeared long ago once they finally were able to set out on their promised adventure to discover his fate. Life intervenes, as it always does, and the trip and promise goes unfulfilled and forgotten until after Ellie passes away.

            To honor his wife and the promise they had made, Carl floats his house into the air with a giant bundle of helium balloons and embarks upon one final journey. Along the way, Carl is joined by Russell, a scout trying to get his assisting the elderly badge, a dog with a collar that allows him to speak, and a giant bird that Russell names ‘Kevin’. 

            What beautifully unfolds on the big screen is nothing short of a modern day Hero’s Journey.  Adventure calls the reluctant Carl who then experiences obstacles, meetings, a belly of the beast and ultimately the freedom to live. The story is so well written, I was completely caught up and, I am not ashamed to admit, I became misty-eyed more than once. The overarching theme is love in all its wonderful facets, including the possibility of moving on after it leaves.

            I am purposely going to leave this review here, without any spoilers and any further discussion of the plot. I highly recommend this movie and I do not want to ruin any part of it for any readers. This is a Pixar movie, and the animation is nothing short of spectacular. I walked out of the theater knowing I had just seen the best movie this year and I believe any one who sees this movie will feel the same way.

            So please, take your significant other, take yourself, but do see this exquisitely animated movie while it is still in the theaters.

Last Updated on Friday, 03 July 2009 18:49
 

I Dub Thee "Noir Week"

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“My mind is a raging torrent, flooded with rivulets of thought cascading into a waterfall of creative alternatives.” --Hedley Lamar 

 

Okay, maybe it’s not that bad, but I’ve got a bunch of crap running through my head, and it all wants to play at once, which means I watch old episodes of Lost and do nothing. But let’s not dwell on that. In order to expedite things, I’m declaring next week Noir Week. Because I can.

I have a bit of an affinity for the Noir genre for some reason, and I think it would be a hoot to have a week of Noir stuff up here on MidGroundRadio. Some of the reviews will even be for things that we won’t make any money off of. (Shocking, I know.) But to make up for that some of the pieces will be straight up ways to make your money ours, without a whole lot of effort on our part. So, it all balances in the end.

We’ll have some movies, books, podcasts, and comics that all pay tribute to the Noir ethic, and it will all culminate with a new Podcast on Saturday of Kevin and I talking about a film that is only dubiously Noir, but what the hell.

Speaking of Podcasts, we have a request to make them downloadable. I’m working on that, both from the site itself and via iTunes. The trouble with using iTunes is twofold, first you don’t come to the site, and that messes with numbers and second, I have to deal with Apple, the most annoying bastards on the planet. The good thing about iTunes is it’s pretty simple to get the podcast up there. But I will make certain that by the next podcast you can download us.

UPDATE: Check out down below, podcast can be grabbed right there. Much easier than I thought it would be. iTunes still not up yet, because I still haven't worked up the energy to deal with Apple, yet.  

That’s all for now. Check back this Saturday morning for a new cartoon and make sure you have us in your RSS feed or just keep coming back to the site next week for all of the updates.

 

Last Updated on Thursday, 02 July 2009 14:12
 

Transformers 2: Revenge of the Fallen Review

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            If I were asked to sum up TF2 in one word, it would be ludicrous, edging into ridiculous at times, but, at that point, I have already gone beyond one word and my feelings are a little more complex than even that estimation. TF2 is the perfect example of what a competent director can do with a subpar script.   It is definitely worth seeing in the theater, do not  walk, run to see it, but if I had problems with the Abrams’ Star Trek script, TF2 is a glaring example of why scripts should go through a good edit or two. Do not expect Shakespeare but do expect a ton of Michael Bay homage and explosions.

            Transformers 2 is completely over the top.  Explosions, action, characters, flying around everywhere to the point it becomes a cacophony of motion barreling towards the finish.  I lost track of what transformer was who, struggled to identify more than three of the autobot group and, in the end, just gave up.  The best parts of this movie are the fight scenes, especially the battle at the end, filmed in Oliver Stone realism.  It definitely had that ‘fog of war’ feeling and was completely believable. 

            Where I have problems with TF2 is the script.  I found myself consciously editing the film while I was viewing it and that is never a good thing. There is this movement in Hollywood to inject humor into every movie that leaves their doors, whether or not the subject matter needs it and this movie suffers because of it.

            For example, there was absolutely no need for any of the stereotypical teen going to college humor.  Sam’s mother did not need to eat marijuana brownies and have the extensive crying scenes.  The circumstances leading up to the “girl finds boyfriend in fake ‘in flagrante’” did not need too happen.  The roommate who is “an internet entrepreneur only doing it to meet chics” was not needed.  The exposition telling us why there are so many hot women in the dormitory was quizzical.  Moviegoers are sophisticated enough to realize every college scene in every movie is only going to feature hot women; we accept that and have long moved on. Brief one or two sentence explanations would have sufficed for any of these examples and moved the story along nicely without all the eye rolling I had to do. The actors, to their credit, work their collective asses off to make these poorly written scenes work.

            As for the robot scenes, I have to address one of the big issues reviewers seem to have about the film, the twins Skids and Mudflap. The internet is a-buzz with all the racial stereotype talk surrounding these two characters. I found these two comical and completely over the top like the rest of the movie. To me, they looked and acted more like gremlins than human beings. Everyone, and I mean EVERYONE, in the theater laughed at them whenever they did or said something stupid on the screen. If anyone was uncomfortable with their portrayal, they hid it well. The fact that two of the smallest transformers take on the largest one by themselves and thus showing true valor is not even mentioned by many of the reviews I read.

            I have to ask, did we really need robot testicles?  Really?  Little jokes can cut the tension in a film when it is needed, and it has been used to great affect in films like “Independence Day” when Will Smith goes off on the alien who downed his ship, but too many of these scenes scream “look at how clever and crude we can be! Look! Are you looking? Please look…”

            Anatomically correct robots aside, the CG was astounding and even better than the first movie.  Transfomers as real non-biological entities were sold to the hilt and very believable.

            Do not even get me started on the perpetually clean white pants.  Who in their right mind thought we wouldn’t notice THAT….??

            Overall, I enjoyed Transformers 2. A little editing, a few rewritten lines, and some trimming of the levity would have tightened this movie into an on-the-edge-of-my-seat action film.  As it stands, this is the first movie this year where I walked out of the theater thinking, “This is a Summer Blockbuster”.  I for one look forward to seeing this movie again in the theater, the DVD, and the benevolent rule of our Autobot overlords.

Last Updated on Friday, 26 June 2009 15:35
 

Star Trek

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MidGroundRadio finally has some sound!

Our inaugural podcast where Kevin and Eric talk about the new Star Trek film. Please feel free to leave comments and suggestions in the "comments" area (and yes, we know there is some clicking issues about 20 minutes in, couldn't be helped, the aliens said the noises were necessary.)

The music is Electromooq from Uma Floresta at Podsafe Audio

 

Original Audio Source 

Last Updated on Thursday, 02 July 2009 14:06
 

Naked City

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I can almost imagine Arthur Fellig in modern society. The man known as Weegee was a classic early adopter. He used a police scanner and portable darkroom as tools of his trade, and that trade was parading human misery.

In the late 1930's and early 40's Weegee captured images of the dregs of society for the tabloids. Think of him as paparazzi for the damned. Instead of chasing down the newest star doing something inane with their (in)significant other, Weegee dedicated his life and talent to finding the criminal element, and showing the drama and character of their lives.

Perhaps most interesting is the amount of energy Weegee put into showing the violent nature of society. In Naked City his work gets at the heart of the grim nature of depression era New York. From looking at these photographs, you would think that here was New York at its most turbulent and violent. However, the available statistics show otherwise. In raw numbers just as many people were murdered in 2008 as in 1936, the time frame of Weegee's photography, though the per capita numbers must certainly be higher, does that really explain the fascination with death?

Following heavy on Weegee's heels is the rise of the film noir, crime cinema at its best. Could it be that, like most early adopters, Weegee could smell what was on the horizon and got there first? He saw the darkness coming, embraced it for what it was, and did his best to make it stunning.

Check out Naked City, and see the beginning of an era.


Last Updated on Thursday, 25 June 2009 11:33
 
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